O predstavi

Nenavadno srečanje še nerojene gostinske delavke, križarke, ki jo je krstila Margaret Thatcher, gospoda Satoshija in gosta, ujetega v neskončnem iskanju brezna.

Kako se zgodovina odraža v naših strahovih in kako smo se naučili plesati z njenimi tokovi? Kako sedanjost razkriva poti do ciljev in ali nas bo sprevodnik zbudil, ko bomo prispeli? Koliko “svetov” si lastimo in kateri so kraji, kjer se srečujemo? Kaj pa tisti, ki so zaklenjeni? Zakaj se nikoli ne odpravimo tja? Raziskovanje in sanjarjenje v eni sami destinaciji, dežela v razvoju in izginjajoča zgodovina – Jadran Resort.

Jadran Resort raziskuje transformacijo teritorijev in družb, katerih prihodnost oblikujejo investicijska tveganja mednarodnih investitorjev ter podrejenost potrebam začasnih turistov. Zanjo so simptomatične oblike začasnega bivanja (na primer v ready-made mestih, kakršen je npr. tudi Portopiccolo ob Sesljanu), wellness resorti in državljanstvo kot naložba. V pristaniščih Črne gore zavetje najdejo tudi kripto milijonarji ter križarke (npr. MS Satoshi), da lahko nato nadaljujejo pot v ilegalne razstavljalnice ladij v Bangladešu.

Jadran Resort temo raziskuje skozi izviren format 'romana v krajini' (novel in landscape) in vznika med podobami, ki jih povezujemo z idejo mediteranske izkušnje. Ohlapno se nanaša na kontekst Črne gore in pri tem kaže na oblike našega posrednega in neposrednega sodelovanja v procesih, ki jih zarisuje. Roman v krajini je poskus sprehajanja med izkušnjami in nabor trenutkov, ki deaktivirajo ta zapleteni mit o vzajemnosti.

Kolofon​

Avtorice: Natalija Vujošević, Neja Tomšič, Tara Langford
Prispevek: Uroš Prah
Tehnične rešitve: Igor Vuk
Tehnični vodja: Grega Mohorčič
Tehnična podpora: Brina Ivanetič, Žan Rantaša, Samo Dernovšek
Pomoč pri zvočnem oblikovanju: Gašper Torkar
Šivilja / vezilja:
Lesarstvo: Martin Lovšin
Zbor: Leeds Youth Singers, led by Diane Paterson and Emma Sargison, recorded by Matt Boyle
Recorded at Music House, Leeds, West Yorkshire, U.K.
Video dokumentacija: Borut Bučinel
Foto dokumentacija: Marijo Zupanov
Kreativna in izvršna produkcija: Barbara Poček
Produkcija: Gledališče Glej
Podpora: Ministrstvo za kulturo, Mestna občina Ljubljana
Zahvala: ISU inšitiut

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About the performance

An unusual gathering of an unborn service worker, a cruise ship baptised by Margaret Thatcher, Mr Satoshi, and a guest trapped in an infinite introspective abyss.

How does history flow through our fears, and how have we learned to dance through these currents? How does the present reveal the paths to our destinations, and will the conductor wake us up when we arrive? How many “worlds” do we hold within ourselves, what are the locked places in which we meet, and why do we never venture there? Explorations and daydreams towards a single destination, an evolving territory, and a vanishing history— the walk-in novel Jadran Resort.

Jadran Resort explores the transformation of territories and societies whose future is shaped by the investment risks of international developers and the subordination to the needs of temporary tourists. Its symptoms are temporary forms of residence (for example in ready-made places such as Portopiccolo near Sistiana), wellness resorts and citizenship as an investment. Crypto-millionaires and cruise ships (e.g. MS Satoshi) also find shelter in Montenegrin ports to continue their journey to illegal shipbreaking yards in Bangladesh.

The novel in landscape is an attempt to move between various experiences in a collection of moments that deactivate the elaborate myth of reciprocity.

Jadran Resort explores a walk through this landscape, in the form of a ‘novel in landscape,’ situated amidst the images associated with the idea of the Mediterranean experience. Elastically connected to the context of contemporary Montenegro, Jadran Resort amplifies our complicit and implicit positions within these processes.

On a changing coastline and seascape, narratives are overlapping, imprinting, and dividing, all in an asymmetrical composition.

Credits

Authors: Natalija Vujošević, Neja Tomšič, Tara Langford
Contributors: Uroš Prah
Technical solutions: Igor Vuk
Technical director: Grega Mohorčič
Technical Support: Brina Ivanetič, Žan Rantaša, Samo Dernovšek
Sound design assistance: Gašper Torkar
Seamstress:
Carpenters: Martin Lovšin
Choir: Leeds Youth Singers, led by Diane Paterson and Emma Sargison, recorded by Matt Boyle
Recorded at Music House, Leeds, West Yorkshire, U.K.
Video documentation: Borut Bučinel
Photo documentation: Marijo Zupanov
Creative and executive production: Barbara Poček
Production: Glej Theatre
Support: Ministry of culture, Municipality of Ljubljana
Support: ISU institute