Starts: Sunday, 7.5.2023 • 20:00
Ends: Sunday, 7.5.2023 • 22:00
Soap opera
Sunday, 7.5.2023 • 20:00
Gledališče Glej
Gledališče Glej
Tickets
Navadna vstopnica
10.00 €
Ticket not available anymore.
Vstopnica za študente_ke, dijake_inje, upokojence_ke
7.00 €
Ticket not available anymore.
Description
[english description below]
avtorska predstava / Marko Čeh / po motivih Idiota F. M. Dostojevskega
* predstava bo potekala v slovenščini z angleškimi nadnapisi *
Ko se neobičajna žajfnica zlije s psihološko študijo.
Po izpovedi kneza Miškina na vlaku v prvem delu smo sedaj prispeli v Sankt Petersburg, kjer se sestane z generalom Totskim, ljubosumno Aglajo in tekmovalnim Ganjo. Soap opera nudi drugačen pogled na njihove odnose: z edinstvenimi vizualnimi efekti, polifoličnimi dialogi in igro v igri nudi studiozen vpogled v njihovo podzavest.
V drugem delu Soap opere v režiji Marka Čeha s širšo igralsko zasedbo odkrivamo psihološke globine sveta Idiota Fjodorja M. Dostojevskega, podlago dvodelne avtorske predstave Soap opera, ki s pomočjo milnice kot osrednjega scenografskega elementa ponuja originalen pogled na novelo ruskega realista.
Čeprav tragičen, je razvoj dogodkov novele mogoče razumeti z več zornih kotov zaradi polifonične pripovedi, ker dialog protagonistov poteka na ravneh izrečenega in neizrečenega. Fantazijski notranji svet, ki se s tem odpira, služi kot podlaga avtorski predstavi režiserja Marka Čeha v novem poglavju predstave Soap opera, v katerem nenavadna žajfnica postane gledališka psihološka študija. V njej vstopamo v podzavesti, kjer igralke_ci prehajajo med hrambami spominov in pozabljenih travm ter ozaveščajo njihove potencialne razrešitve. Kompleksne bitke za družbeni status in dramatične romantične zaplete avtorska predstava Soap opera prikazuje skozi prizmo psiholoških stanj posameznic_kov in njihovih kompleksnih patologij.
Prikaz notranjega sveta pričara scenografska tehnologija iz milnice. Njena fascinantna barvna paleta, igra svetlobe in nestabilna narava sestavljajo glavnino scenografskega okolja: milne stene bodo gradile in razgrajale zidove med prostori, v katerih se odvijajo pogovori, s pomočjo vrvic bodo izrisovale kletke, milni valji bodo izrisovali krošnje dreves, ... Nenavadna tekstura milnice pripomore h grajenju nestanovitnih notranjih svetov, saj na vizualno prevzeten način potencira bodisi smiselne bodisi iracionalne misli junakov in njihove občutke.
Kolofon
Čeprav tragičen, je razvoj dogodkov novele mogoče razumeti z več zornih kotov zaradi polifonične pripovedi, ker dialog protagonistov poteka na ravneh izrečenega in neizrečenega. Fantazijski notranji svet, ki se s tem odpira, služi kot podlaga avtorski predstavi režiserja Marka Čeha v novem poglavju predstave Soap opera, v katerem nenavadna žajfnica postane gledališka psihološka študija. V njej vstopamo v podzavesti, kjer igralke_ci prehajajo med hrambami spominov in pozabljenih travm ter ozaveščajo njihove potencialne razrešitve. Kompleksne bitke za družbeni status in dramatične romantične zaplete avtorska predstava Soap opera prikazuje skozi prizmo psiholoških stanj posameznic_kov in njihovih kompleksnih patologij.
Prikaz notranjega sveta pričara scenografska tehnologija iz milnice. Njena fascinantna barvna paleta, igra svetlobe in nestabilna narava sestavljajo glavnino scenografskega okolja: milne stene bodo gradile in razgrajale zidove med prostori, v katerih se odvijajo pogovori, s pomočjo vrvic bodo izrisovale kletke, milni valji bodo izrisovali krošnje dreves, ... Nenavadna tekstura milnice pripomore h grajenju nestanovitnih notranjih svetov, saj na vizualno prevzeten način potencira bodisi smiselne bodisi iracionalne misli junakov in njihove občutke.
Kolofon
Režija: Marko Čeh
Dramaturgija: Kaja Balog
Adaptacija teksta: Kaja Balog, Marko Čeh
Celostna vizualna podoba (scenografija, kostumografija, oblikovanje svetlobe, oblikovanje lutk, oblikovanje videa): Stran22
Programiranje: Luka Frelih
Glasba: Gašper Torkar
Lektorica: Mateja Dermelj
Igrajo: Niko Goršič, Gregor Prah, Gaja Višnar, Anže Zevnik
Video: Borut Bučinel
Foto: Marijo Zupanov
Urednica gledali[kega lista: Tery Žeželj
Oblikovanje gledališkega lista: Grupa Ee / Mina Fina, Ivian Kan Mujezinović
Vodja tehnike: Grega Mohorčič
Tehnična podpora: Brina Ivanetič, Žan Rantaša, Samo Dernovšek
Kreativna in izvršna produkcija: Anja Pirnat, Nastja Miheljak
Produkcija: Gledališče Glej
Podpora: Ministrstvo za kulturo, Mestna občina Ljubljana
Zahvala:
Casino Admiral, Univerzitetni klinični center Ljubljana, Timotej Jevšenak, Jože Drabik, Stanka Škodi
Dramaturgija: Kaja Balog
Adaptacija teksta: Kaja Balog, Marko Čeh
Celostna vizualna podoba (scenografija, kostumografija, oblikovanje svetlobe, oblikovanje lutk, oblikovanje videa): Stran22
Programiranje: Luka Frelih
Glasba: Gašper Torkar
Lektorica: Mateja Dermelj
Igrajo: Niko Goršič, Gregor Prah, Gaja Višnar, Anže Zevnik
Video: Borut Bučinel
Foto: Marijo Zupanov
Urednica gledali[kega lista: Tery Žeželj
Oblikovanje gledališkega lista: Grupa Ee / Mina Fina, Ivian Kan Mujezinović
Vodja tehnike: Grega Mohorčič
Tehnična podpora: Brina Ivanetič, Žan Rantaša, Samo Dernovšek
Kreativna in izvršna produkcija: Anja Pirnat, Nastja Miheljak
Produkcija: Gledališče Glej
Podpora: Ministrstvo za kulturo, Mestna občina Ljubljana
Zahvala:
Casino Admiral, Univerzitetni klinični center Ljubljana, Timotej Jevšenak, Jože Drabik, Stanka Škodi
[ENGLISH]
devised performance / Marko Čeh / based on F. M. Dostoevsky's The Idiot
* the performance will be held in Slovene with subtitles in English *
A soap opera blending into a psychological study.
Prince Myshkin arrives in St Petersburg, where he meets General Totsky, the jealous Aglaya and the competitive Ganya. Soap Opera offers a different perspective on this familiar story and analyses their relationships: with unique visual effects and polyphonic dialogues it offers a studious insight into their subconsciousness.
In the second part of Soap Opera, directed by Marko Čeh and featuring an expanded cast, we discover the psychological depths of the world of Fyodor M. Dostoyevsky's The Idiot, the basis of Soap Opera's two-part original performance, which, using soap walls as its central scenographic element, offers an original take on the Russian realistic novel.
Although tragic, the development of the novel's events can be understood from several angles thanks to the polyphonic narrative, as the protagonists' dialogue takes place on the levels of the spoken and the unspoken. These polyphonic layers open up a psychological world which serves as the basis for director Marko Čeh's original performance in Soap Opera, which transforms into a psychological study. In it, we enter the subconscious, where the actors pass between the hunches of memories and forgotten traumas and become aware of their potential resolutions. The complex battles for social status and dramatic romantic entanglements of the original Soap Opera performance are shown through the prism of the psychological states of the individual actresses and their complex pathologies.
The depiction of the inner world is conjured up by a scenographic technology made of soap. Its fascinating visual colour palette, the play of light and its unstable nature make up the main part of the scenographic environment: soap walls will build and break down the walls between the rooms where the conversations take place, cages will be drawn with the help of strings, soap rollers will draw the treetops, ... The unusual texture of the soap helps to build volatile inner worlds, potentiating in a visually perceptive way either the sensible or the irrational thoughts of the characters and their feelings.
In the second part of Soap Opera, directed by Marko Čeh and featuring an expanded cast, we discover the psychological depths of the world of Fyodor M. Dostoyevsky's The Idiot, the basis of Soap Opera's two-part original performance, which, using soap walls as its central scenographic element, offers an original take on the Russian realistic novel.
Although tragic, the development of the novel's events can be understood from several angles thanks to the polyphonic narrative, as the protagonists' dialogue takes place on the levels of the spoken and the unspoken. These polyphonic layers open up a psychological world which serves as the basis for director Marko Čeh's original performance in Soap Opera, which transforms into a psychological study. In it, we enter the subconscious, where the actors pass between the hunches of memories and forgotten traumas and become aware of their potential resolutions. The complex battles for social status and dramatic romantic entanglements of the original Soap Opera performance are shown through the prism of the psychological states of the individual actresses and their complex pathologies.
The depiction of the inner world is conjured up by a scenographic technology made of soap. Its fascinating visual colour palette, the play of light and its unstable nature make up the main part of the scenographic environment: soap walls will build and break down the walls between the rooms where the conversations take place, cages will be drawn with the help of strings, soap rollers will draw the treetops, ... The unusual texture of the soap helps to build volatile inner worlds, potentiating in a visually perceptive way either the sensible or the irrational thoughts of the characters and their feelings.
Credits
Director: Marko Čeh
Dramaturgy: Kaja Balog
Adaptation of the text: Kaja Balog, Marko Čeh
Stage design (scenography, costumography, light design, puppet design, video design): Stran22
Programming: Luka Frelih
Music: Gašper Torkar
Proofreading: Mateja Dermelj
Performers: Niko Goršič, Gregor Prah, Gaja Višnar, Anže Zevnik
Voice: Primož Pirnat
Video: Borut Bučinel
Photography: Marijo Zupanov
Editor of Glej, Paper: Tery Žeželj
Graphic design: Grupa Ee / Mina Fina, Ivian Kan Mujezinović
Technical director: Grega Mohorčič
Technical support: Brina Ivanetič, Žan Rantaša, Samo Dernovšek
Creative and executive production: Anja Pirnat, Nastja Miheljak
Produced by Glej Theatre
Supported by Ministry of Culture and Municipality of Ljubljana
Special thanks to:
Casino Admiral, University Medical Centre Ljubljana, Timotej Jevšenak, Jože Drabik, Stanka Škodič, Wine Zorz, Pelicon Brewery
Dramaturgy: Kaja Balog
Adaptation of the text: Kaja Balog, Marko Čeh
Stage design (scenography, costumography, light design, puppet design, video design): Stran22
Programming: Luka Frelih
Music: Gašper Torkar
Proofreading: Mateja Dermelj
Performers: Niko Goršič, Gregor Prah, Gaja Višnar, Anže Zevnik
Voice: Primož Pirnat
Video: Borut Bučinel
Photography: Marijo Zupanov
Editor of Glej, Paper: Tery Žeželj
Graphic design: Grupa Ee / Mina Fina, Ivian Kan Mujezinović
Technical director: Grega Mohorčič
Technical support: Brina Ivanetič, Žan Rantaša, Samo Dernovšek
Creative and executive production: Anja Pirnat, Nastja Miheljak
Produced by Glej Theatre
Supported by Ministry of Culture and Municipality of Ljubljana
Special thanks to:
Casino Admiral, University Medical Centre Ljubljana, Timotej Jevšenak, Jože Drabik, Stanka Škodič, Wine Zorz, Pelicon Brewery
Tickets also available at
